GÏFBRAIN cup, made with #glitché
Light Painting The Sydney Harbour Bridge
Turning the Sydney Harbour Bridge into the world’s largest interactive light sculpture.
Colour The Bridge transforms the Sydney Harbour Bridge into a massive interactive light sculpture. Using 2,000 LED linear tubes, one kilometer of fiber optics, and 10,000 individual programmable LEDs, 32 Hundred Lighting, in partnership with Intel, created an interactive installation for the VIVID Sydney festival that lets you create and watch your own light painting come to life on the Sydney Harbour Bridge via touchscreen computer.
DEBRAIN presents:“Profiles of interesting people”
An interview with DAN PALUSKA, our good friend told us a little about his work and about what inspires him.
Enter the world of Alice in Wonderland, and the artwork of Yayoi Kusama, Japan’s most celebrated artist, in this beautiful new edition.
View page spreads here:
Lewis Carroll’s Alice’s Adventures in Wonderland: With Artwork by Yayoi Kusama is produced in collaboration with the Kusama Studio, Tokyo and Gagosian Gallery.
A Night-time Snowboarding Short Lights Up the Last of the Winter Snow
Fashion photographer and filmmaker Jacob Sutton swaps the studio for the slopes of Tignes in the Rhône-Alpes region of south-eastern France, with a luminous after hours short starring Artec pro snowboarder William Hughes. The electrifying film sees Hughes light up the snow-covered French hills in a bespoke L.E.D.-enveloped suit courtesy of designer and electronics whizz John Spatcher. “I was really drawn to the idea of a lone character made of light surfing through darkness,” says Sutton of his costume choice. “I’ve always been excited by unusual ways of lighting things, so it seemed like an exciting idea to make the subject of the film the only light source.” Sutton, who has created work for the likes of Hermès, Burberry and The New York Times, spent three nights on a skidoo with his trusty Red Epic camera at temperatures of -25C to snap Hughes carving effortlessly through the deep snow, even enlisting his own father to help maintain the temperamental suit throughout the demanding shoot. “Filming in the suit was the most surreal thing I’ve done in 20 years of snowboarding,” says Hughes of the charged salopettes. “Luckily there was plenty of vin rouge to keep me warm, and Jacob’s enthusiasm kept everyone going through the cold nights.”